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![Roaring Twenties, Pontus Lidberg’s final show as the director of Danish Dance Theatre, dramatizes the tumultuous first few years of the 2020s.](https://assets.airmail.news/static/images/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaEpJak5uYVdRNkx5OWhhWEl0YldGcGJDOUJjblJwWTJ4bE9qcFFhRzkwYnk4NU9EazVNejlsZUhCcGNtVnpYMmx1QmpvR1JWUT0iLCJleHAiOm51bGwsInB1ciI6ImRlZmF1bHQifX0=--0a21291452e3304a69e84dc5aafc15fa3a73cdb2/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaDdDam9MWm05eWJXRjBTU0lJYW5CbkJqb0dSVlE2QzNKbGMybDZaVWtpQ1RneU1ENEdPd1pVT2hCaGRYUnZYMjl5YVdWdWRGUTZESEYxWVd4cGRIbHBhVG9LYzNSeWFYQlUiLCJleHAiOm51bGwsInB1ciI6InZhcmlhdGlvbiJ9fQ==--d4337d020cd6721d875e40b437edb775d8cfd005/photo-1673635031.jpeg)
A Decade in Dance
“What will be the roar of the 2020s?” asks Pontus Lidberg, the Swedish director of Danish Dance Theatre, the largest contemporary-dance troupe in Denmark. Roaring Twenties, Lidberg’s final work for the company after five years at its helm, premieres tonight in Copenhagen. “We have seen a few roars this decade—Black Lives Matter, the coronavirus and all that came with it. There were a lot of roars in the 1920s, and look how that turned out.” READ ON
The Accidental Collector Judy Glickman Lauder didn’t set out to become a collector. Yet she ended up amassing some of the most important images in photography, shot by everyone from Berenice Abbott to William Klein, to Weegee
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