Substack, the no-nonsense publishing platform for independent writers, has taken to throwing niche literary parties hosted by a former downtown provocateur …
Tech bros who want to live forever—and in luxury—are flocking to a low-to-no-tax libertarian community off the coast of Honduras …

Scott Ruskan, the Coast Guard swimmer who rescued approximately 165 people, mostly children, from the devastating flash floods at Camp Mystic, in Texas.
“I kind of discovered I was the only person there as far as first responders go. [It was] kids mostly. All scared, terrified, cold, having probably the worst day of their life. And I just kind of needed to triage them, get them to a higher level of care and get ’em off the flood zone.”

A Hungarian in Paris A new coffee-table book collects Brassaï’s photographs of the City of Light, his adopted home and muse for more than 50 years









Breaking Bad
Career. Reputation. Legacy. In the art world, these can all hang by a thread. No one knew this better than Marta Astfalck-Vietz, a photographer and painter who operated during the heady days of late-1920s Weimar Berlin. Astfalck-Vietz was an experimental pioneer of the “combi-photo” and a taboo-breaking explorer of her own body, but her entire archive of negatives was destroyed in 1943, when an Allied bombing raid incinerated her studio. READ ON

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