“Marisol and Warhol Take New York” is the tallyho title of an exhibition that re-unites the two kindred weirdo spirits who became, for a brief Camelot spell, the First Couple of Pop Art. Their trajectories then diverged, and therein lies the story. Marisol Escobar, a Venezuelan born in Paris and raised in affluence, and Andy Warhol, a spindly refugee from the scruffy outskirts of Pittsburgh, first met in 1962 and immediately serenaded each other through their art. Marisol made a wooden sculpture of Andy, a cast of her hands resting demurely in his lap; Warhol in turn filmed her for a few early experimental shorts and enshrined her in one of his famous screen tests, where, unlike so many of the other fidgets in the series, she barely blinked. READ ON