Beating the System
When every studio in Hollywood passed on Apocalypse Now, Francis Ford Coppola—the most successful movie director on the planet—became an independent filmmaker
And God Created Brigitte
“Idiotic” is how French bombshell Brigitte Bardot describes a new six-part TV series depicting her life
Sinqua Walls
For the remake of White Men Can’t Jump, the actor takes on Wesley Snipes’s classic role
India Ria Amarteifio
The star of Shonda Rhimes’s latest, a prequel to her hit Bridgerton series, reveals how she channels Queen Charlotte
Rip-Off
A new documentary reveals how Pop-art founder Roy Lichtenstein made millions, while the comics artists he copied remained penniless. Was he a genius or a thief?
Zoe Lister-Jones
In her new TV series, Slip, the actress, writer, and director plays a woman whose orgasms send her traveling through time
Mise-en-Scène
A new two-part French adaptation of The Three Musketeers, with Vincent Cassel, Eva Green, Romain Duris, François Civil, and Vicky Krieps, brings the classic tale to a fresh audience
Slam Dunk
Ben Affleck directs a career-making film with an unlikely star: a Nike sneaker
The Hits Keep Coming
After the success of Unorthodox, its co-creator Anna Winger returns to Netflix with Transatlantic, a black comedy about World War II–era refugees
Working for the Kid
Did Bob Evans save Paramount in the 1970s? You bet your ass he did. So how come the Academy never gave him his due?
Hers for the Taking
Sixteen years after securing the film rights to All Quiet on the Western Front, a former professional triathlete could be on her way to Oscar glory
Down to Earth
Eight Questions with Scott Z. Burns, a producer of An Inconvenient Truth—not to mention a co-writer of The Bourne Ultimatum and No Time to Die—whose star-studded new show focuses on climate change
Camila Morrone
The young starlet discusses her path from modeling to acting and playing a groupie on Amazon’s Daisy Jones & the Six
The Gold Standard
From the peak of Hollywood glamour to snafus, boycotts, and last year’s infamous Slap, the Oscars have seen it all. Are they still worth watching?
Not to Be
High art. Romantic intrigue. Monstrous villainy. The inside story of the original, star-studded—and star-crossed—production of Shakespeare in Love is the stuff of, well, Shakespeare
All Quiet on the Western Front, Again
How does the graphic new adaptation of the classic book measure up against the earlier screen version?
Madelyn Cline
Shortly after moving to Los Angeles, the young star has made her mark on Hollywood with Netflix’s Outer Banks
The Magic Touch
How Channing Tatum’s Magic Mike franchise morphed from a film for teenage boys into a feminist masterpiece
Sick or Genius?
Directors can’t stop making movies about tortured artists
A Life Less Ordinary
One Fine Morning stars Léa Seydoux as a woman seeking to balance her everyday obligations with a passionate affair. Its director, Mia Hansen-Løve, tells how the film came to be
Lukas Dhont
In an interview, the young director discusses his film Close, Belgium’s submission to the Academy Awards, which has earned comparisons to François Truffaut’s The 400 Blows
From “Mini-Documentaries” to Major Ones
Success, for Daniel Roher, is bittersweet. While he’s winning praise and awards for Navalny, the subject of his inspiring documentary is in a Siberian gulag
Frida Gustavsson
The star of Netflix’s Vikings first emerged on the scene as one of the fashion industry’s top models
The Re-invention of John Stonehouse
Succession star Matthew Macfadyen leads a raucous new drama about the stranger-than-fiction story of a British politician who faked his own death in 1974
