Breaking the Mode
A new series tells the story of Coco Chanel, Christian Dior, and the momentous couture collection that rose from the ashes of W.W. II, changing fashion forever
The Long Good-Bye
After 12 seasons, Curb Your Enthusiasm, Larry David’s mostly improvised juggernaut and HBO’s longest-running comedy, comes to an end. Well, probably …
Flyboys
Steven Spielberg and Tom Hanks’s new Apple+ series, about the gallant Americans who flew Flying Fortresses over Germany, is a big-budget masterpiece. A historian weighs in
Slow Burner
Jack Lowden and Gary Oldman steal the show in Slow Horses, the sleeper hit that captures the mundanity and pettiness, not the glamour, of M.I.5
The Other Side
This year’s Oscar favorite, Jonathan Glazer’s radical re-invention of the Holocaust film, The Zone of Interest, is told from the point of view of the perpetrators
Harsh Realities
A first look at Nicola Peltz-Beckham’s directorial debut, Lola—which leaves much to be desired
Extra Credit
Highly competitive, Da’Vine Joy Randolph transitioned seamlessly from Yale University drama student to opera singer, and now to Oscar nominee, for her masterful performance in The Holdovers
Win by a Nose?
Maestro actor and director Bradley Cooper’s hungry Oscar campaign isn’t earning him any fans
Kai Alexander
The English actor endured boot camp to play a World War II air-force pilot in Masters of the Air, Tom Hanks and Steven Spielberg’s new series
Truth and Consequences
The British crime drama Top Boy is among the most discussed shows on Netflix. Why is no one talking about its creator, Ronan Bennett?
Jodie Foster’s Coming of Age
The actress looks back at the time a shooter attempted to assassinate President Reagan on her behalf—and discusses the unexpected perks of being an older woman in Hollywood
Of Human Bondage
Released more than 60 years ago, Dr. No, the first entry in the supercharged spy series, could have been just another B-rate action film. And then Sean Connery strolled in
For the Ages
Michael Powell and Emeric Pressburger made 24 bold and imaginative films before falling out of favor. Now the duo that Martin Scorsese and Tilda Swinton credit as influences are getting their due
In Search of Misspent Youth
Hormones, horsepower, and hamburgers: the making of American Graffiti
Black Emanuelle Matters
A saucy sexploitation-movie series is being re-assessed as a groundbreaking feminist work in an exhaustive new boxed set
Good Help Is Hard to Find
Joseph Losey and Harold Pinter’s cult masterpiece, The Servant, turns 60
A Man Out of Time
How Robert Altman and a down-on-his-luck Elliott Gould re-invented the detective movie
Popcorn Presidents
The movies watched in the White House provide fascinating insights into the mindset—angry, affable, aggrieved—of its inhabitants
Phases of the Moon
Under the Cherry Moon, Prince’s directorial debut—a black-and-white passion project set on the glistening Côte d’Azur and starring Kristin Scott Thomas—bombed when it premiered in 1986. Did the critics miss the point?
Absolutely Normal Chaos
Is Ridley Scott the bluntest man in the movie business? On the press tour for Napoleon, the director swears, shouts, and says whatever comes to mind
Moment of Truth
Do historical films and TV programs need to be accurate?
From The Office to the Lab
Lee Eisenberg knows funny. But he and his wife, Emily Jane Fox, learned a lot working together on Lessons in Chemistry
Nia DaCosta
With The Marvels, 34-year-old Nia DaCosta is now the youngest director of a Marvel movie, and the first Black woman to have a go at the franchise
Stanley Kubrick’s Waterloo
Having just tackled the end of the world and the mysteries of the universe, the obsessive director set his sights on Napoleon. Tens of thousands of index cards later, he waved the white flag