The Best of Times, the Worst of Times
New to Beethoven’s only opera, Lise Davidsen transcends a director’s funny stuff
Stranger than Fiction
Teatro Nuovo gives Carolina Uccelli’s lone surviving opera, Anna di Resburgo, a long-overdue second shot
After Auschwitz
Revisiting the posthumous 2010 stage premiere of Mieczysław Weinberg’s fierce masterpiece The Passenger