Matthew Gurewitsch
Go East, Young Man
The native New Yorker Jamie Bogyo is finding his theatrical niche in London’s classy West End
Move Over, Samson
The long-neglected Henry VIII of Camille Saint-Saëns stages comebacks on two continents
Diving For Treasure
The Met Opera takes up Georges Bizet’s youthful romance Les Pêcheurs de Perles
The Midas Touch
Everything the American soprano Rachel Willis-Sørensen touches turns to gold
Unto Us a Child Is Born
At the National Theatre, The Book of Dust is a lite prequel to His Dark Materials
Romantic Baroque, Baroque Romance
Seong-Jin Cho’s Handel Project
Sibylline Spirit
The Tiburtina Ensemble of Prague brings Hildegard von Bingen to Morningside Heights
Time in a Bottle
Brian d’Arcy James channels Jack Lemmon in the new musical Days of Wine and Roses
The Once and Future Ring, Part I
The Atlanta Opera’s livestream of Das Rheingold is just the beginning
Power Player
In her debut season at the Metropolitan Opera, Nathalie Stutzmann, a former star contralto, makes sound in the “silent” role of maestro
Pushing the Envelope
Boston Baroque stages Iphigénie en Tauride, Gluck’s ultimate “reform opera”
Sam Ezersky
The twentysomething mechanical engineer behind The New York Times’s Letter Boxed word game wants the solutions to “feel fun and human”
Yuja Wang’s Rach Marathon
Most pianists call it a night after any one of these “warhorses”
The Crucible
An interfaith Parsifal at the Bayreuth Festival, 134 years after the work’s premiere on the same stage
Instant Epic, No Charge
Dazzling projections on the façade of the Zurich Opera House encapsulate Wagner’s “Ring” cycle for neophytes and devotees alike
Who’s That Lady I Saw You With?
After languishing in the archives since its 1744 premiere at a royal wedding in Spain, Achille in Sciro proves a corker and a half
Twice-Told Tales
The Song Poet, Kao Kalia Yang’s prizewinning memoir of her Hmong father, finds its way to the opera
Away! Away! For I Will Fly To Thee
David Rothenberg takes his clarinet into Berlin’s green spaces to jam with the nightingales
Let Procreation Thrive
From Glyndebourne comes Poulenc’s first opera, a zany surrealist call for new babies
The Stepmother’s Tragedy
At the Alliance Française, Jennifer Ehle goes out on a limb as Racine’s Phèdre
Exit Laughing
At La Monnaie, a posthumous premiere for On Purge Bébé, a prolific Belgian’s off-color comedy
Heart of Gold
Richard Cœur de Lion returns to the Royal Opera House at Versailles for the first time since the French Revolution
The Torch Relit
Lise Davidsen’s 2019 Bayreuth debut in Tannhäuser gave Wagnerians something to cheer about
Bach Re-Boxed
Alisa Weilerstein, cellist in excelsis, premieres an immense new collage that incorporates, in their entirety, the master’s six suites for her instrument
