Matisse’s Last Act
In one of the last self-portraits Rembrandt painted before he died, in 1668, he is laughing heartily. His humor suggests that the only way to face the ultimate is to be as alive as possible. Cézanne’s final version of The Card Players (1894–95) presents us with a moment in which mental concentration and human bodies, thought and matter, merge. In all of art history, however, there is no greater fusion of ethereality and immortality than in the work produced by Henri Matisse during the last 13 years of his life. The spirit of his colors and the forcefulness of his lines are boundless. READ ON
“Serious Photographs Disguised as Entertainment” With the arrival of warmer weather, two new coffee-table books revisit the late Martin Parr’s wry pictures—and the environmental warning simmering beneath them
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