Matthew Gurewitsch

Michael Spyres, tenor; Il Pomo d’Oro; Francesco Corti, conductor, harpsichord: Tenore Assoluto

Long Beach Opera Presents The Feast

Dialogues des Carmélites

Dudamel Conducts Mahler

Romantic Baroque, Baroque Romance

Seong-Jin Cho’s Handel Project

Die Zauberflöte, by Wolfgang Amadeus Mozart

The Artwork of the Future

Beethoven & American Masters

Sibylline Spirit

The Tiburtina Ensemble of Prague brings Hildegard von Bingen to Morningside Heights

Dvořák and Bruckner

Saburo Teshigawara and Rijoko Sata

Das Rheingold, by Richard Wagner

The Habit of Art

Time in a Bottle

Brian d’Arcy James channels Jack Lemmon in the new musical Days of Wine and Roses

Macbeth, by Giuseppe Verdi

Slow Beethoven

The Once and Future Ring, Part I

The Atlanta Opera’s livestream of Das Rheingold is just the beginning

Celebrating Sondheim: A Little Night Music

Goldberg-Variationen

Power Player

In her debut season at the Metropolitan Opera, Nathalie Stutzmann, a former star contralto, makes sound in the “silent” role of maestro

Pushing the Envelope

Boston Baroque stages Iphigénie en Tauride, Gluck’s ultimate “reform opera”

Ariodante, by Georg Frideric Handel

Champion, by Terence Blanchard

Fountain of Tears (Ainadamar), by Osvaldo Golijov