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Matthew Gurewitsch

Matthew Gurewitsch


24 results

Tannhäuser, Richard Wagner

Yuja Wang’s Rach Marathon

Most pianists call it a night after any one of these “warhorses”

Phelim McDermott & Philip Glass: Tao of Glass

Tchaikovsky and Sibelius

Der Rosenkavalier, by Richard Strauss

The Dead City, by Erich Wolfgang Korngold

The Crucible

An interfaith Parsifal at the Bayreuth Festival, 134 years after the work’s premiere on the same stage

The Life and Death(s) of Alan Turing, by Justine F. Chen

Nixon in China, by John Adams

The Time of Our Singing, by Kris Defoort

William Kentridge: Sybil

Instant Epic, No Charge

Dazzling projections on the façade of the Zurich Opera House encapsulate Wagner’s “Ring” cycle for neophytes and devotees alike

Falstaff, by Giuseppe Verdi

Who’s That Lady I Saw You With?

After languishing in the archives since its 1744 premiere at a royal wedding in Spain, Achille in Sciro proves a corker and a half

Apollo Chamber Players

The Song Poet, by Jocelyn Hagen

Xerxes, by George Frideric Handel

Twice-Told Tales

The Song Poet, Kao Kalia Yang’s prizewinning memoir of her Hmong father, finds its way to the opera

Away! Away! For I Will Fly To Thee

David Rothenberg takes his clarinet into Berlin’s green spaces to jam with the nightingales

Cotton, by Damien Geter

Music and Justice: Performances, Conversations, and Conference

Lohengrin, by Richard Wagner

A Thousand Splendid Suns

Let Procreation Thrive

From Glyndebourne comes Poulenc’s first opera, a zany surrealist call for new babies