Matthew Gurewitsch
Sibylline Spirit
The Tiburtina Ensemble of Prague brings Hildegard von Bingen to Morningside Heights
Time in a Bottle
Brian d’Arcy James channels Jack Lemmon in the new musical Days of Wine and Roses
The Once and Future Ring, Part I
The Atlanta Opera’s livestream of Das Rheingold is just the beginning
Power Player
In her debut season at the Metropolitan Opera, Nathalie Stutzmann, a former star contralto, makes sound in the “silent” role of maestro
Pushing the Envelope
Boston Baroque stages Iphigénie en Tauride, Gluck’s ultimate “reform opera”
Sam Ezersky
The twentysomething mechanical engineer behind The New York Times’s Letter Boxed word game wants the solutions to “feel fun and human”
Yuja Wang’s Rach Marathon
Most pianists call it a night after any one of these “warhorses”
