Matthew Gurewitsch
Fetch Me Her Slippers
From Frankfurt, Rimsky-Korsakov’s shaggy-dog Christmas Eve, a tranche of tsarist holiday cheer that resembles Tchaikovsky’s Nutcracker not at all
And the Award Goes to…
At the 2022 International Opera Awards, Kris Defoort’s The Time of Our Singing wins for best World Premiere
Last Laugh
From the National Theatre, London, a rare revival of George Farquhar’s The Beaux’ Stratagem
Otello in Athens
Robert Wilson tackles Verdi in the birthplace of tragedy
The Music Man
From the stage of the San Francisco Opera, Jakub Józef Orliński’s Orpheus enchants the Golden Gate
