Matthew Gurewitsch

Girls of the Golden West, by John Adams

Intégrale des Symphonies de Franz Schubert

Werther, by Jules Massenet

The Torch Relit

Lise Davidsen’s 2019 Bayreuth debut in Tannhäuser gave Wagnerians something to cheer about

Monica Bellucci: Maria Callas Letters and Memoirs

We Are Here: Songs From the Holocaust

Albert Herring, by Benjamin Britten

Peter Grimes, by Benjamin Britten

Winter Festival: The Magic of Schubert

Bach Re-Boxed

Alisa Weilerstein, cellist in excelsis, premieres an immense new collage that incorporates, in their entirety, the master’s six suites for her instrument

Irresistible Force, Immoveable Object

From Glyndebourne, Mozart’s Orientalist fantasy The Abduction from the Seraglio

The Passion of Mary Cardwell Dawson

Friday Lunchtime Concert: Robert and Clara Schumann

Shell Shaker, by Jerod Impichchaachaaha’ Tate

Tristan und Isolde, by Richard Wagner

Aida, by Giuseppe Verdi

Michael Tilson Thomas Conducts Mahler 9

Before Mozart Was Mozart

A Japanese director in Berlin gives the teenage whiz kid’s first operatic hit a dazzling makeover

Kirill Petrenko Conducts Mendelssohn’s Elias

Cleopatra vs. Caliban

Benedict Cumberbatch and Jonny Lee Miller trade off as Frankenstein and the Creature in the National Theatre’s 2011 take on Mary Shelley’s masterpiece

The Colors of XX Century

Step-Mama’s Boy

Verdi’s season-opening Don Carlo from the Teatro San Carlo, Naples

Aida in Concert

Fighting Spirit

For World Opera Day, seven companies join forces to showcase Ukraine’s Golden Crown