Matthew Gurewitsch

NY Phil Returns Home

Salome, by Richard Strauss

Jenůfa, by Leoš Janáček

San Juan Hill: A New York Story

Anna Netrebko

Lift Every Voice and Sing

From Heartbeat Opera, a Fidelio for our time

Of All Joys

Turning Point

Patrice Chéreau’s “Centennial Ring” at the Bayreuth Festival in 1976 changed history

Dudamel Leads Songs of the Americas

Hanjo, by Toshio Hosokawa

Von der Liebe Tod—Das Klagende Lied, Kindertotenlieder

Medea, by Luigi Cherubini

Andrei, by Dimitra Trypani

Incantation

Decaying film stock, the Song of Songs, and the seraphic soprano of Angel Blue

Otello, by Gioachino Rossini

La Bohème, by Giacomo Puccini

The Valkyries

Silvestrov, Gubaidulina, Reger, Wagner

Julius Caesar takes the Big Peach

The Atlanta Opera’s Handel is anything but stuffy

Orquestra Sinfónica do Estado de São Paulo/Roberto Tibiriçá, Conductor/São Paulo Cia. De Dança

Rebirth, Innovation, Grandeur

Vienna Philharmonic/Esa-Pekka Salonen/Yuja Wang

Ancient History

From operas on Nixon, Klinghoffer, J. Robert Oppenheimer, and women of the Gold Rush, John Adams progresses to Shakespeare

Salome, by Richard Strauss