Matthew Gurewitsch

Don Carlos, by Giuseppe Verdi

Beethoven’s Triple Concerto in OSM Colors

Armide, by Christoph Willibald Gluck

A Musical Portrait: Price and Bonds/Rock My Soul Festival

Second-Lead Syndrome

Dancing man Tommy Rall steals the screen in MGM’s Kiss Me, Kate

Don Carlo, by Giuseppe Verdi

Maometto Secondo, by Gioachino Rossini

Cardillac, by Paul Hindemith

Elektra, by Richard Strauss

Ahoy for a Shipwreck

In Houston, Louisa Muller directs a long-neglected operatic masterpiece

Danse Macabre

A wicked Rigoletto on the floating stage of Bregenz, Austria

The Wreckers, by Ethel Smyth

Juilliard Orchestra

Il Trovatore, by Giuseppe Verdi

Getting It Right

For the British playwright Alan Bennett, other people’s lives are just the dress rehearsal

Søndergård Conducts The Rite of Spring

Kalichstein-Laredo-Robinson Trio & Nokuthula Ngwenyama

São Paulo Symphony Orchestra / The Amazon Concert: Sights and Sounds of Brazil

The Nuns’ Story

Live from San Francisco, Dialogues of the Carmelites, Poulenc’s gripping chronicle of the French Revolution

NY Phil Returns Home

Salome, by Richard Strauss

Jenůfa, by Leoš Janáček

Anna Netrebko

San Juan Hill: A New York Story