Matthew Gurewitsch

Friday Lunchtime Concert: Robert and Clara Schumann

Irresistible Force, Immoveable Object

From Glyndebourne, Mozart’s Orientalist fantasy The Abduction from the Seraglio

Bach Re-Boxed

Alisa Weilerstein, cellist in excelsis, premieres an immense new collage that incorporates, in their entirety, the master’s six suites for her instrument

Winter Festival: The Magic of Schubert

Peter Grimes, by Benjamin Britten

We Are Here: Songs From the Holocaust

Albert Herring, by Benjamin Britten

Girls of the Golden West, by John Adams

Intégrale des Symphonies de Franz Schubert

Werther, by Jules Massenet

Monica Bellucci: Maria Callas Letters and Memoirs

The Torch Relit

Lise Davidsen’s 2019 Bayreuth debut in Tannhäuser gave Wagnerians something to cheer about

Tannhäuser, by Richard Wagner

Sō Percussion with Caroline Shaw

Sphinx Symphony Orchestra

Composer Portraits: Suzanne Farrin

The Factotum, by Will Liverman and DJ King Rico

Heart of Gold

Richard Cœur de Lion returns to the Royal Opera House at Versailles for the first time since the French Revolution

Everest: An Immersive Experience, by Joby Talbot

The Marriage of Figaro, by Wolfgang Amadeus Mozart

Peter Mattei Sings Schubert’s “Winterreise”

Rachmaninoff Cycle with Yuja Wang

Exit Laughing

At La Monnaie, a posthumous premiere for On Purge Bébé, a prolific Belgian’s off-color comedy

William Kentridge: Sybil