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From the Outside In
Western fine art has had appropriation in its bones since the High Renaissance. That’s when sacred works, originally meant to please or appease a deity, were first held up for detached aesthetic contemplation—they were appropriated, that is, into a brand-new sphere called “art.” This unacknowledged “borrowing” got a new, more public impetus about a century ago, when the modernists invited us to see every kind of artifact, from airplane propellers to tribal totems, through an artistic lens. READ ON
Josephine Joy’s Waterbirds Nesting, included in “Gatecrashers,” a long-overdue exhibition at Atlanta’s High Museum focusing on self-taught artists in America.
Read OnSmiles (and Scents) of a Summer Night AIR MAIL hosts a dinner in honor of Tom Ford Beauty
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Land Before Time Gianfranco Gorgoni’s otherworldly shots put the 20th-century Land Art movement of Richard Serra, Christo and Jeanne-Claude, and others on the map
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