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Never a Dull Moment

The French photographer Nicolas Rachline’s portraits evoke a colorful life on the move

The Rhys Woman

Scooby Dooby Do …

Why go to Elvis chapels in Vegas when Frank Sinatra can perform the ring-a-ding-ding for you?

Duncan Hannah’s Sketchbook

Faith Restored

“Defense Debbies” and the Rise of Gun-Loving Mothers

Thanks to Instagram, “arms and the woman” is a style statement

You Say Tomato, I Say Tomahto

Barry Blitt’s Sketchbook

From Dame to Musk*

Love in the Heavens, Love on Earth

Live from San Francisco, Bright Sheng’s spacey Dream of the Red Chamber

Talking Contradiction

Notes from the archive of the Jewish Nobel Prize laureate Isaac Bashevis Singer show that even he, a renowned pacifist, was torn when it came to Israel and its place in the world

Misery Loves Company

Ottessa Moshfegh’s bleak yet funny novels have earned her a cult following. Her new book takes things a step further

Dante’s Suburbia

Novelist Tom Perrotta, our poet laureate of high-school angst, revisits his best-known character in his latest book, Tracy Flick Can’t Win. Decades have gone by, he says, but Tracy’s small-town torments (and ours) still haven’t changed

Grant Shaffer’s Sketchbook

Will This Be the Perfect Italian Summer?

Mediterranean beaches unspoiled by oligarchs! (Well, almost … )

A Collector’s Collector

Crooked Teeth and Dodgy Leaders

Though it came as a shock to many, Brexit was nothing more than the latest round in an argument as old as the British Isles themselves

Candid Camera

Lawrence Osborne reveals the inspiration behind his novel The Forgiven, whose screen adaptation premieres at the Tribeca Film Festival next week

Barry Blitt’s Sketchbook

The Spy Who Came In from the Boudoir

A new biography of John le Carré reveals a private life rich in shenanigans, including a long-standing mistress

20th-Century Picture Show

A new coffee-table book collects some of the last century’s most enduring photographs, shot by Norman Parkinson, Sebastião Salgado, Weegee, and others

The Clown Prince

Post-Jubilee, Harry reports back to Netflix*

Genuine Fakes

Beyond Face Value