Matthew Gurewitsch

Aida, by Giuseppe Verdi

The Wreckers, by Ethel Smyth

9th Subscription Concert and 5th Soirée, Conductor Riccardo Muti

European Residency of the New York Philharmonic

Elsinore Revisited

A Cubist Hamlet from the Australian composer Brett Dean, with the original Glyndebourne cast

Champion: An Opera in Jazz—The Story of Emile Griffith

Parsifal, by Richard Wagner

Enoch Arden

Double, Double, Toil and Trouble

Mean Girls meets the Bard in an encore of Red Bull Theater’s Mac Beth

Maui Classical Music Festival

Hamlet

Magic

A Knight Errant in Love

Boston Baroque makes a stellar case for Handel’s rarity Amadigi di Gaula

Dvořák: Rusalka, Alan Gilbert

La Voix Humaine

The 61st Young Concert Artists Gala Concert

Salome, by Richard Strauss

The Man in the Black Turtleneck

A hit at the Santa Fe Opera in 2017, The (R)evolution of Steve Jobs has its video premiere in a new production from Atlanta

Requiem: Wolfgang Amadeus Mozart

Juilliard Gala

Randall Goosby, Violin, Zhu Wang, Piano

Lucia di Lammermoor, by Gaetano Donizetti

Quamino’s Map, by Errollyn Wallen

Irresistible Force, Immoveable Object

A tempestuous English-language Phèdre, starring Helen Mirren