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First Light

There Is Nothin’ Like a Dame

Helen Mirren brings something special to every performance. But for HBO’s Catherine the Great, she also draws on her own White Russian roots

MoMA Mia⁠—a New Museum!

Following a familiar script, the Museum of Modern Art has re-invented itself yet again. But first it had to be invented

Bruce McCall’s Sketchbook

Zwirner Takes Paris

Dancing in the Air

Chic, the Temptations, Diana Ross, the Pointer Sisters, the Trammps, the Pointer Sisters again … and more

Soho on Camera

Once More unto the Breach

In Henry V, Timothée Chalamet tries to fill the sabbatons of Olivier and Branagh

The Last Queen of France

Marie Antoinette’s biographer on her secret plot to stop the Revolution, and what history got wrong about the monarch

“I Go Nowhere, See No One”

Greta Garbo’s letters, now up for auction, make public a rare glimpse of the star who loved solitude

They Publish the Perished

Thanks to New York Review Books Classics, masterpieces such as Stoner, Speedboat, and Poison Penmanship are back in print and finding new fans

Murder, They Wrote

Not Kipling’s Burma

The Deep End

Last Tango in Brandoland

Deborah Berke

On the books that unite literature and architecture

A Room of Their Own

A 1920s note from Vita to Virginia is an exercise in reassuring a lover

Postcard from the Alps

With fall comes winter planning: a new cookbook features photographs of Europe’s snowy peaks, and food to match

Bong Joon-ho

Parasite, the South Korean director’s new film about class warfare, triumphed at Cannes and is generating Oscar heat

Downton Abbey: The Five-Minute Version

Condensed, with perhaps one or two liberties taken. Still, the reading time is 118 minutes less than the film’s running time

Gold Diggers

Sebastião Salgado’s photographs capture the hope, despair, and human suffering in a Brazilian mine

Barry Blitt’s Sketchbook

A Guide to FIAC and Beyond

A Modernist Marie Kondo

The architect and designer Charlotte Perriand went from Le Corbusier disciple to fearless visionary