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John Lahr

John Lahr


Lost Worlds Retrieved

Leopoldstadt, Tom Stoppard’s new (and perhaps last) play, is an act of historical excavation and personal reparation

The Panto Season ‘Tis upon Us

The British pantomime is noisy, camp, and a complete hoot

Louche Cannon

With Fleabag, Phoebe Waller-Bridge has caught lightning in a bottle. When someone hits with such a seismic wallop, it’s both a miracle and a mystery. Why now? Why her?

A Monster Among Angels

The Night of the Iguana, now in an eloquent production in London, is Tennessee Williams’s last great work

#MeToo Takes the Stage

In London, Mamet’s new “Weinstein play” repels critics but delights audiences