Michael Sragow
See No Evil
When Hollywood optioned Albert Speer’s self-serving memoir, the Nazi architect found willing collaborators
The Devil’s in the Data
Walter Murch reveals how Francis Ford Coppola’s The Conversation clicked together—and anticipated surveillance capitalism
Out for Blood
A century after Nosferatu’s release, Berlin’s National Gallery explores the enduring influence of F. W. Murnau’s vampire film
All Quiet on the Western Front, Again
How does the graphic new adaptation of the classic book measure up against the earlier screen version?
No Exit
A great female auteur makes a bold humanist statement in Green Border
Oklahoma, Not O.K.
Martin Scorsese’s erratic Killers of the Flower Moon takes Hollywood’s conflicting views of the Sooner State to the downbeat limit
Divided We Fail
Alex Garland’s Civil War hurtles through the ravaging violence and chilling anomie of a Disunited States
The Mafia’s Dark Knights
With Robert De Niro playing both leading roles, Barry Levinson’s exhilarating The Alto Knights depicts the real-life clash of the Mafia titans Vito Genovese and Frank Costello
