The crowd that filled the storied Lambs Room at Keens Steakhouse on Tuesday evening could be best described by Tom Wolfe himself. “They were… well, Beautiful People! - not ‘students’, ‘clerks’, ‘salesgirls’, ‘executive trainees’ - Christ, don’t give me your occupation-game labels,” he wrote in his 1968 counterculture chronicle, The Electric Kool-Aid Acid Test. “We are Beautiful People, ascendant from your robot junkyard.” (Or, as master of ceremonies Patricia Clarkson put it with no less verve, “an illustrious, literary, yummy, divine, sexy-ass crowd!”)
These days, that “robot junkyard” Wolfe wrote about decades ago feels more prevalent than ever, as artificial intelligence grows more sophisticated by the day and menaces the very sanctity of human writing. Bullshit may reign, but it was nowhere to be seen as the literary world and its greatest champions gathered at the century-old chophouse for a dinner hosted by AIR MAIL and Montblanc in celebration of this year’s Tom Wolfe Prizes for Fiction & Reportage.
