We are all Girardians now—whether we know it or not. The concepts minted in the early 1960s by the late French literary critic and philosopher René Girard explain the pathologies of the smartphone age as elegantly as Freud’s explained bourgeois neuroses at the turn of the last century.

While Freud was renowned in his own time, Girard, who died in 2015, is still far from a household name. A distinguished scholar and the author of nearly 30 books, he never broke through to a mass audience like his contemporary Harold Bloom, who transitioned from high theory to cultural critiques in the 1990s. Girard was not a public intellectual; he was a quietly influential, if recondite, academic: the Velvet Underground, not the Beatles.