I first met Edna O’Brien through a family friend, Abba Schwartz, who had invited her to a party at my parents’ house. I was only a teenager but completely enamored with this hauntingly glamorous literary femme fatale.
Being a Catholic schoolgirl, I was aware of Edna’s legend; that her first six books were banned in Ireland and, rumor had it, even burned for their explicit sexual passages. In The Country Girls trilogy she spoke the unspoken language of female longing, which made her an irresistible read.