Kip Williams is back. The Australian director who turned The Picture of Dorian Gray into a Sarah Snook fever dream, has now set Jean Genet’s 1947 psychodrama in the age of the influencer. As two maids obsessively role-play their darkest fantasies about their abusive mistress, performance and reality begin to blur. We see some of their scheming unfold on their phones, layered in the same live-camera technology Williams used in The Picture of Dorian Gray. Bridgerton’s Yerin Ha plays the imperious Madame, while Phia Saban (House of the Dragon) and Olivier nominee Lydia Wilson are the maids plotting her undoing. —Jeanne Malle