The conceptual artist Olafur Eliasson is concerned with the way our senses tell us the truth. “Having an experience is taking part in the world,” he has said. “Taking part in the world is really about sharing responsibility.” In 2003, for his Turbine Hall installation at Tate Modern—The Weather Project—Eliasson created a burning sun that bathed the space in orange air. In 2016, he brought waterfalls, fog, and mirrors to the Palace of Versailles, including a monumental cascade in the Grand Canal. This exhibition in Brisbane, presented across the museum’s ground-floor galleries, covers the entirety of Eliasson’s three-decade career. There’s his early work Beauty (1993), featuring a rainbow suspended on a veil of mist; and Riverbed (2014), in which a rocky landscape is cut through by running water; and Pluriverse Assembly (2021), a spatial installation that fractures and recomposes light through rotating mirrored forms. There are also photographs of his native Iceland, where it all began. —Elena Clavarino