Emma Webster makes landscape paintings for people who suspect nature is no longer entirely natural. The Los Angeles based artist builds her strange, cinematic worlds using a mix of sculpture, virtual reality, 3D modeling software, and traditional painting techniques, creating scenes filled with glowing animals, dramatic skies, and forests that feel faintly haunted. That sensibility is currently on view in Rues and Leaves Themselves Alone, her solo exhibition at New York’s Petzel through June 6, where pastoral landscapes start behaving more like psychological thrillers. For AIR MAIL, Webster shares an edit shaped by the same instincts: atmospheric, transportive, and just surreal enough to keep things interesting.
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