Born and trained in Tbilisi, mentored by the Russian titan Sviatoslav Richter at the Moscow Conservatory, for decades an Austrian national in Vienna, the 80-year-old pianist Elisabeth Leonskaya continues to astonish, dazzle, and delight. Not at the Muziekgebouw in the Dutch tech-and-design hub of Eindhoven, however, where her recital last December was canceled because free tickets for Russian soldiers at a Moscow recital of hers supposedly constituted support for Putin’s invasion of Ukraine. Oh, brother. In March, The Guardian gave Leonskaya’s crazy-quilt evening at the Wigmore Hall a four-star writeup that read more like an eight-star (on their scale of five). For an encore, she’s back with all-Schubert, a specialty of hers since her time with Richter. “No question about it,” Gramophone once declared, “Leonskaya’s Schubert … should provide you with a lifetime’s worth of musical nourishment.” Her playlist this time skews light and graceful, though in Schubert hidden shadows are seldom far away. —Matthew Gurewitsch