“This whirlwind ride through Churchill’s relentless imagination is not to be missed,” wrote Jessie Thompson, the editor of The Standard, in her 2019 review of Glass. Kill. Bluebeard. Imp. “I would call her a god. But I don’t think she’d like that.” Caryl Churchill has tweaked her quartet of plays—retitled Glass. Kill. What If If Only. Imp.—and they’re now in a new production directed by James Macdonald. “A girl made of glass. Gods and murders. A pack of ghosts. And a secret in a bottle,” reads the Public’s description of these four works, which transport the audience through the poetic and the fantastical, the real and the political. —Jeanne Malle