Marc Chagall (1887–1985) was fascinated by the circus and returned to its acrobats, clowns, equestrians, and musicians throughout his career. In 1967, he produced “Le Cirque,” a series of color lithographs accompanied by an essay in which he described the circus as both “disturbing” and “profound.” Among the performers, he placed familiar figures from his childhood in Vitebsk (now part of Belarus)—goats and embracing lovers among them. The Hepworth Wakefield brings together the complete series, which is rarely exhibited in its entirety. The show also includes related paintings and archival material. —Elena Clavarino