In the 1960s, Bob Dylan lived and worked in Manhattan’s Greenwich Village. Dilapidated, dirty, and dangerous, it was a setting that inspired songs of rebellion and protest. Here he emerged with his first folk songs, aligning himself with the burgeoning civil rights and anti-war movements. Dylan sang about the nuclear threat, fair housing, and voter registration; he played guitar and took the stage at the March on Washington. This exhibition explores Dylan’s music in the context of the decade’s upheaval. “Chaos,” he once said, “is a friend of mine.” —Elena Clavarino