“I think painting is very interesting when you forget that you are actually painting,” says Harold Ancart, who likes to lose himself in the craft. The 45-year-old Belgian artist’s latest works, on view in this exhibition in Seoul, see landscape as an expression of the inner self or psyche. The palette is nocturnal. Made in Brooklyn with oil stick and pencil, these paintings feature blurred lines and colors, which encourages a more psychological reading. “In the shadows,” Ancart says, “things seem to be more susceptible to metamorphosis.” —Henry McGrath