For over a decade, Éric Antoine worked as a magazine photographer, chasing the fast-paced world of skateboarding culture across the globe. In 2010, he walked away from it all, embracing a completely remote environment and investigating art that could transform the modern attention span. Antoine began to explore the 19th-century wet-plate process that produces photographs on glass rather than paper. The results are luminous, dreamlike, and Antoine’s landscapes were an invitation to meditate in nature itself. Taking its name from the French word for “middle,” this exhibition presents images that draw viewers to a more tranquil reality, rejecting what Antoine calls a “digital deluge.” Beauty in fact, is already all around us. —Maggie Turner