The young Nigerian artist Collins Obijiaku is self taught. In school, he would pencil sketch in the margins of his notepad, staying behind after class to practice his renderings. Obijiaku now works with a mix of oil, acrylic, and charcoal to create complex portraits. He is known for the unique texturing and line work he achieves, a quality that is soft yet expressive. His subjects, often friends and family, gaze directly at the viewer, offering engagement and participation. “There is an unlimited wealth of ideas that are bound within the fabrics of chance conversations or interactions that unfold and progress naturally,” says Obijiaku. “And many of these ideas, or fresh perspectives, carry the potential to nudge us, as [either] individuals and groups, into the path of positive change.” Obijiaku’s first solo presentation at Roberts Projects features new portraits. —Clara Molot