Acclaimed Canadian playwright-director Karen Hines’s latest dark comedy takes on real estate, the commodification of feminism, and 21st-century economic precarity. It’s set in an imagined all-women’s condo development, where a restaurant server is having the worst shift of her life, Virginia Woolf and Frida Kahlo have turned up to offer their points of view, and the farm animals may just be starting to talk back. —K.F.