The self-taught artist Gaston Chaissac was something of a social recluse. He lived in the suburbs of Paris, and unlike his contemporaries he did not attend salons and openings, and did not align himself with a school of painting. Instead he worked away on his peinture rustique et moderne (rustic modern painting). Chaissac did, however, admire the avant-garde CoBrA artists, whose ideas he shared. Eventually, Chaissac’s expressive style won the day. In 1961, a show of his art in Iris Clert’s gallery was a triumph, and though CoBrA had disbanded by then, its artists fought to buy up his paintings. This exhibition highlights the affinities, placing works by Chaissac and CoBrA in adjacent galleries. —E.C.
The Arts Intel Report
A Cultural Compass
For the World Traveler
For the World Traveler
A Cultural Compass
For the World Traveler
CoBrA and Chaissac
When
May 26 – Sept 19, 2021
Where
Etc
Gaston Chaissac, “Regard Noir,” 1959–1960. Private collection, Switzerland.