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October 26 2019
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Michael Lindsay-Hogg’s Expertise. An exhibition of the artist’s work is on view at the Galerie Pixi: Marie-Victoire Poliakoff, in Paris, through December 21.

If you want to get hifalutin about it, his full handle, complete with title, is Sir Michael Edward Lindsay-Hogg, fifth Baronet—an impressive mouthful. Known to us more modestly as Michael Lindsay-Hogg, he made his imprint as a film-and-stage director who placed himself at the service of the material, however volatile and unruly, and let the action breathe within the frame.

Lindsay-Hogg’s Allegory.

His film career is a split-level affair. Downstairs, he’s the pioneer rockumentarian who directed The Rolling Stones Rock and Roll Circus (filmed in 1968), a supergroup variety special in which the headliners were upstaged by the pandemonious Who, and Let It Be (1970), where the Beatles said their wan good-byes with a rooftop concert above Savile Row. Upstairs, he’s the jewel setter for the peerless British ensemble acting of Nasty Habits (1977), the Watergate satire set in a convent, and television’s magisterial Brideshead Revisited (1981). For the stage, L-H directed the original production of Larry Kramer’s AIDs drama The Normal Heart (1985), which alone earns him landmark status.

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