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DTSTAMP:20260923T000350Z
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DTSTART;VALUE=DATE:20261120
DTEND;VALUE=DATE:20261122
DESCRIPTION:Nov 20-22\, 2026\nWhose “Ring”? At the San Diego Symphony\,
  we’re talking Gore Verbinski’s cult horror flick of 2002\, starring a
  VHS tape that reduces a viewer’s life expectancy to seven days\, nonneg
 otiable. A scary premise for sure! But it’s Hans Zimmer’s sly\, unders
 tated score that provides the subtle killer sauce. On November 1\, the con
 ductor Susie Benchasil Seiter synchs the San Diego Symphony Orchestra’s 
 live performance with the moving pictures overhead (can we bring popcorn?)
 . As we go to press\, the running order for Chicago Lyric Opera’s sympho
 nic program “Wagner: Myth and Music” remains under wraps. Full disclos
 ure: it’s unlikely to be “Ring”-exclusive. But why should it be? The
  company’s unflagging commitment to the full Wagner canon is a matter of
  record. The dynamic British Wagner specialist Alexander Soddy\, new to th
 e Lyric\, is the conductor\, privileged to give the brand-new David W. and
  Orit K. Carpenter Concert Shell\, an acoustic enhancement\, its first spi
 n. If all goes as we’re hoping\, the sound of voices and instruments wil
 l bounce into the Lyric’s overlong shoebox of an auditorium with an imme
 diacy never heard there before. The featured soloist is Christine Goerke\,
  her presence as good as an I.O.U. for Brünnhilde’s Immolation Scene fr
 om Götterdämmerung to ring down the curtain.
LOCATION:Lyric Opera of Chicago\, 20 N Upper Wacker Dr\, Chicago\, IL 60606
 \, USA
SUMMARY:Wagner: Myth and Music
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/wagner-myth-and-music
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