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DTSTAMP:20260821T233716Z
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DTSTART;VALUE=DATE:20260915
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DESCRIPTION:Sep 15 - Oct 11\, 2026\nWhere has Sarah Michelson been? Every y
 ear or so for the first 15 years of this century\, the Manchester-bred New
  Yorker produced elaborate\, dread-inducing\, plotless epics. Architecture
 \, both found and made\, figured largely. At the Kitchen\, PS122\, the old
  Whitney\, and BAM Harvey\, Michelson converted catwalks into sinister bal
 conies\; revealed forgotten doorways and windows\; and encased floors and 
 walls in a monochrome black or blinding white or in a dizzying pattern of 
 arabesques. In the last decade\, though\, her output and evident ambition 
 have shrunk. Meanwhile\, her status has only grown. In 2019\, the MacArthu
 r Foundation awarded her a “genius” grant. In 2023\, she joined David 
 Zwirner’s illustrious stable of artists (galleries in London\, Paris\, L
 .A.\, and New York). Rare among choreographers\, Michelson is now earning 
 capital\, not cash. Where does a choreographer go from there? If the title
  of her next endeavor is any clue\, nowhere—which turns out to be the Mo
 MA atrium\, the museum’s rest stop between galleries. However hapless th
 e locale\, it couldn’t be an accident. Place\, Michelson has said\, “i
 s pretty much always my starting point.”
LOCATION:Museum of Modern Art\, 11 W 53rd St\, New York\, NY 10019\, United
  States
SUMMARY:Sarah Michelson: nowhere
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/sarah-michelson-nowhe
 re
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