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DTSTAMP:20261023T170834Z
UID:4516748d-2935-45c3-9c4c-d3d1c8504489
DTSTART;VALUE=DATE:20261205
DTEND;VALUE=DATE:20261206
DESCRIPTION:Dec 5-6\, 2026\nThe peripatetic pianist Paul Lewis\, who names 
 the legendary Alfred Brendel as his mentor and sits on international compe
 tition juries with living legends like Marta Argerich and Stephen Kovacevi
 ch\, visits New York all too seldom. How to account for his Mozart+ double
 header at the Frick Collection\, dropped into his calendar between gigs in
  Milan\, Italy\, and the picturesque Essex market town of Saffron Walden? 
 Kudos to Jeremy Ney\, the Frick’s head of music and performance\, for wh
 at promises to be a highlight of the concert season. Lewis’s sixth sense
  for crosscurrents is uncanny\, whether he is juxtaposing works by a singl
 e composer or works by composers whose sensibilities seem worlds apart. In
  one Mozart+ program\, the Salzburg wonder’s B-flat major sonatas Nos. 1
 7 and 13 (in that order) bookend Schubert and Chopin. In the other\, Debus
 sy and Poulenc are bracketed by Mozart sonatas in C (No. 10 in the major\,
  No. 14 in the minor). The intimate\, steeply tiered horseshoe of the Fric
 k’s Stephen A. Schwarzman Auditorium seats only some 200\, but its acous
 tics are tricky. Unbridled\, even a small chamber ensemble can jangle the 
 ears. But Lewis’s exquisite touch and lucid sense of architecture should
  make the room glow.
LOCATION:Frick Collection\, 1 E 70th St\, New York\, NY 10021\, USA
SUMMARY:Paul Lewis\, Mozart+\, 1 and 2
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/paul-lewis-mozart-1-a
 nd-2
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