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DTSTAMP:20260912T021621Z
UID:1f6d0aeb-3b0f-426d-a7ec-b8a63f93674a
DTSTART;VALUE=DATE:20260929
DTEND;VALUE=DATE:20260911
DESCRIPTION:Sep 29 - Oct 10\, 2026\nThe marvelous Violette Verdy\, as verba
 lly articulate as she was physically eloquent\, called George Balanchine
 ’s La Source\, choreographed on her in 1968\, a “pink champagne” bal
 let. And pink is should be\, considering it’s an homage to French ballet
  and the composer Léo Delibes. Mr. B’s The Four Temperaments\, premiere
 d in 1946 by Ballet Society (precursor of the New York City Ballet)\, bega
 n life in wild medievalist costumes but was soon stripped down to black an
 d white practice clothes. Indeed\, it’s the archetypal black-and-white B
 alanchine ballet\, a masterpiece of modernism. The Jerome Robbins winner T
 he Concert (Or\, The Perils of Everybody)\, dressed mostly in shades of pe
 riwinkle blue\, is a comic ballet that exploits the absurdities of human n
 ature\, never more pointedly than in the “raindrop prelude\,” in which
  black umbrellas—a touch of René Magritte— suggest the herd instinct 
 of humans. This N.Y.C.B. program embodies the impressively wide range of e
 xpression of which classical dance is capable.
LOCATION:Koch Theater at Lincoln Center\, 20 Lincoln Center Plaza\, New Yor
 k\, NY 10023\, United States
SUMMARY:New York City Ballet: Masters At Work I
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/new-york-city-ballet-
 masters-at-work-i
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