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DTSTAMP:20260912T030032Z
UID:c6305ba1-6fee-4280-a70e-cef385148227
DTSTART;VALUE=DATE:20260922
DTEND;VALUE=DATE:20260927
DESCRIPTION:Sep 22-27\, 2026\nLincoln Kirstein called it a “full-length b
 allet without a plot\,” but George Balanchine’s Jewels—which premier
 ed in 1967 and consists of three movements—is a castle keep of medieval 
 imagery\, Symbolist echoes\, neoclassical refractions\, and the story of B
 alanchine’s heart. Some look to it as a primer on national approaches to
  classical dancing: the deep lustre of French “Emeralds\,” the elbowin
 g refractions of American “Rubies\,” and the cosmic grandeur of Russia
 n “Diamonds.” I like to think of it as a tapestry interwoven with allu
 sions to the ondines\, firebirds\, swans\, and steeds of ballet. In “Dia
 monds” there’s even a unicorn! (Balanchine loved the Cluny tapestries 
 in Paris and was familiar with the Unicorn Tapestries at the Cloisters in 
 upper Manhattan.) Jewels is a glittering bestiary of romantic love\, and t
 he gems are the ballerinas who dance it.
LOCATION:Koch Theater at Lincoln Center\, 20 Lincoln Center Plaza\, New Yor
 k\, NY 10023\, United States
SUMMARY:New York City Ballet: Jewels
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/new-york-city-ballet-
 jewels
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