The 20th-century artist Mary Dill Henry (1913–2009) flouted expectation with great seriousness. She left her role as a housewife to focus on her art, even if that meant being short on cash. She lived in Mendocino, a sleepy northern-California town with little culture but plenty of visual inspiration. She was influenced by the work of the Bauhaus visionary Laszlo Moholy-Nagy, as well as by Piet Mondrian. She was touched by Constructivism and Op art. But she painted in a style of exuberant precision that was completely her own. “Love Jazz” brings Henry’s bright, joyous pieces into focus after many decades spent out of the public eye. —J.V.
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