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DTSTAMP:20260926T101025Z
UID:87d442dc-1245-43e6-be2d-5f5618a067ee
DTSTART;VALUE=DATE:20261013
DTEND;VALUE=DATE:20261017
DESCRIPTION:Oct 13-17\, 2026\nThe last time Marina Abramović made a work w
 ith “Balkan” in its title\, it involved her scrubbing the blood off th
 ousands of cow bones for four days straight. The year was 1997\, and the b
 ones of her homeland\, the onetime Yugoslavia\, would never be clean. Balk
 an Erotic Epic points further back. This “orgy of dancing\, grieving\, s
 creaming\, desiring bodies\,” as the art magazine Frieze has it\, evokes
  the folk customs that the 79-year-old Serbian’s grandmother—her first
  and better mother—imparted to her as a young child. They include such u
 nlikely wisdom as how to reveal your vagina to the gods to stop the rain. 
 “I didn’t invent any of them\,” Abramović insists. With 30 performe
 rs (dancers\, musicians\, singers\, life-size puppets) and just as many be
 hind-the-scene operators (choreographers\, composers\, costume designers\,
  videographers)\, Balkan Erotic Epic proves at once excessive and exact\, 
 surreal and autobiographical. It is\, Abramović has said\, “my heart\, 
 my guts.”
LOCATION:Berliner Festspiele\, Schaperstraße 24\, 10719 Berlin\, Germany
SUMMARY:Marina Abramović: Balkan Erotic Epic. The Stage Version 
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/marina-abramovic-balk
 an-erotic-epic-the-stage-version
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