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DESCRIPTION:Mar 17 - Jul 23\, 2026\nDid Marcel Duchamp complicate the quest
 ion of what exactly constitutes a work of art? Or did he simplify it? “C
 an one make works that are not ‘of art’?” he pondered. Duchamp did j
 ust that in 1917\, when he signed a white porcelain urinal “R. Mutt\,”
  titled it Fountain\, and said it was art. His joke was a rejection of aes
 thetics-based academic styles. Duchamp irritated many\, but he also had fo
 llowers\, among them the artist Elaine Sturtevant (1924–2014)\, who buil
 t on Duchamp’s valuation of concept over image. Sturtevant repeatedly em
 ployed and copied other artist’s styles—in 1998\, she even re-created 
 Fountain. This exhibition in Milan presents their work side by side\, offe
 ring a refreshing contrast to the A.I. generated art that dominates online
  feeds and the digital landscape.
LOCATION:Thaddeus Ropac\, Piazza Belgioioso\, 2\, 20121 Milano MI\, Italy\,
  Italy
SUMMARY:Marcel Duchamp & Sturtevant: Dialogues are mostly fried snowballs
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/marcel-duchamp-sturte
 vant-dialogues-are-mostly-fried-snowballs
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