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VERSION:2.0
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CALSCALE:GREGORIAN
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DTSTAMP:20260823T001022Z
UID:d52aef71-1d97-4584-bff3-5f81ea6cefab
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260822
DESCRIPTION:Sep 16 - Nov 14\, 2026\nAlthough his work underwent stylistic c
 hanges and shifts\, the sculptor Leoncillo was committed to depicting the 
 inner human condition. Born Leoncillo Leonardi in Spoleto\, Italy\, in 191
 5\, his early works were pastoral and figurative\, created in clay. It was
  a medium responsive to human touch\, one he saw as a living substance cap
 able of both destruction and rebirth. “I work the clay as if it were tim
 e: I shatter it\, I reassemble it\, I imbue it with the colour of wounded 
 earth\,” he said. “Thus the sculpture becomes both memory and gesture.
 ” During the Second World War\, Leoncillo shifted to a more experimental
  style\, embracing the post-Cubism and Arte Informale styles. He died in 1
 968\, only 52\, in the midst of an award-winning career. In the gallery’
 s first solo exhibition on the sculptor\, a through line of his sustained 
 relationship with clay emerges.
LOCATION:Thaddeus Ropac\, Piazza Belgioioso\, 2\, 20121 Milano MI\, Italy\,
  Italy
SUMMARY:Leoncillo: Perché più bruci
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/leoncillo-perche-piu-
 bruci
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