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DTSTAMP:20260725T025901Z
UID:e5b8e618-e4a8-4fd9-aab8-22bdcec0d2f6
DTSTART;VALUE=DATE:20260807
DTEND;VALUE=DATE:20260724
DESCRIPTION:Aug 7-30\, 2026\nIn her fourth outing as director of the Edinbu
 rgh International\, star violinist Nicola Benedetti leans into what she kn
 ows best\, which isn’t dance. But besides the headliner Sidi Larbi Cherk
 aoui’s Ihsane (highlighted separately)\, the multidisciplinary productio
 ns entice. In Rwanda\, the Bantu word ingoma means both “drum” and “
 throne” —fitting for the country’s first all-female drumming circle\
 , a practice long exclusive to men. The women of Ingoma Nshya pound their 
 tall drums while jumping into the air\, thrashing their heads right and le
 ft\, and ululating. The Glaswegian collaborative GroupWork time-travels to
  the 1950s for When Prophecy Fails\, which takes up the first UFO doomsday
  cult to preach salvation via flying saucer. The recent but already-acclai
 med production proceeds like a fever dream\, with the players moving mutel
 y within an aural landscape of Cold War pop tunes and radio alerts. (Proph
 ecy tours Scotland this autumn). Most otherworldly is the 10th-century Ara
 b epic Bilali\, a mythical history as rife with tribal warfare and arduous
  desert treks as the Bible. Traditionally\, a bard from a family of bards 
 would intone the epic for as long as four days. The Palestinian performanc
 e ensemble Khabashi\, from Haifa\, have limited themselves to three hours 
 for a brightly surreal dance-theatre rendition.
LOCATION:Edinburgh International Festival\, United Kingdom
SUMMARY:Edinburgh International Festival
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/edinburgh-internation
 al-festival-1
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