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DTSTAMP:20261108T164212Z
UID:8af660e7-656f-4fe5-a3e1-09359a825f01
DTSTART;VALUE=DATE:20261113
DTEND;VALUE=DATE:20261108
DESCRIPTION:Nov 13\, 2026 - Jan 16\, 2027\nDoris Salcedo has always been in
 terested in the things that remain: the domestic objects left behind\, the
  traces of absent bodies. Born in Bogotá in 1958\, the Colombian artist h
 as spent much of her career confronting the human consequences of politica
 l violence\, and making “visible the experiences of the most vulnerable 
 and most anonymous victims.” Her latest works\, House and Grains of Sorr
 ow\, now installed at White Cube\, use individual strands of human hair—
 knotted\, woven\, and assembled by hand over the course of years. It is an
  unsettling material\, as hair is both intimate and anonymous\, suggesting
  an individual life but no easy identification. Salcedo uses hair to addre
 ss the devastation of displacement and the basic needs of shelter and sust
 enance. Grains of Sorrow is made up of small vessels made from rice and ha
 ir. Arranged on the gallery floor\, they are modest in scale but not in im
 plication\, for they oppose the man-made starvation that is still used as 
 a weapon of war. The meticulous\, handmade process also draws attention to
  the often-overlooked labor of workers across the Global South\, who drive
  the global economy. “A collective statement is far more powerful than a
  lonely solo voice\,” Salcedo tells White Cube. “It becomes like a cho
 rus\, and a really potent one.”
LOCATION:White Cube New York\, 1002 Madison Avenue\, New York\, NY 10075\, 
 United States
SUMMARY:Doris Salcedo
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/doris-salcedo-1
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