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DTSTAMP:20261024T135306Z
UID:a20c81e2-a1db-4fb9-9270-50bdc9ed4f07
DTSTART;VALUE=DATE:20261213
DTEND;VALUE=DATE:20261213
DESCRIPTION:Dec 13\, 2026\nPerhaps sensing that potential ticket-buyers may
  be scratching their heads\, the Deutsches Symphonie-Orchester supplies th
 e following gloss on this evening’s program. “To grasp the horror that
  he suffered under Soviet rule\, Dmitri Shostakovich needed some time afte
 r Stalin’s death: He wrote the first harsh\, devastating movements of hi
 s Tenth Symphony in the seclusion of his dacha on the Baltic Sea and compl
 eted this highly political work with an uncompromising final section in Mo
 scow. In his ‘Anthem\,’ Davóne Tines\, too\, raises his voice against
  the racism and capitalist ideals of US society. Samuel Barber’s Adagio 
 for Strings—as the musical embodiment of melancholy—opens a musical do
 or to these still topical concerns.” The full listing attributes the new
  piece—long form\, Concerto No. 2: Anthem for Bass-baritone and Orchestr
 a—not to Tines alone but to a foursome that also includes the front-line
  composers Michael Schachter\, Caroline Shaw\, and Tyshawn Sorey. Teasing 
 out who wrote what may be beside the point. The objective is the overarchi
 ng message\, conceived in the mind of the singer and delivered in his prop
 hetic voice. Daniele Rustioni conducts.
LOCATION:Philharmonie Berlin\, Herbert-von-Karajan-Straße 1\, 10785 Berlin
 \, Germany
SUMMARY:Deutsches Symfonie-Orchester: Rustioni & Tines
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/deutsches-symfonie-or
 chester-rustioni-tines
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