“Picasso was trying to push his mortality at bay throughout his life, while Calder, on the other hand, was fascinated by the vastness of the world, looking outside himself.” This comment comes from Alexander Calder’s grandson, Alexander S. C. Rower, who teamed up with Pablo Picasso’s grandson, Bernard Ruiz-Picasso, to curate a small exhibition in 2016, one that explored the way each artist approached empty space—the void! The director of the Musée Picasso-Paris saw the New York show and asked the grandsons for more. This touring exhibition, which now travels to the High, debuted last at the Musée national Picasso-Paris. It includes 120 paintings, sculptures, and archival photographs. Who said success doesn’t happen in a vacuum? —J.V.

Calder–Picasso
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High Museum of Art / Atlanta / Art
High Museum of Art / Atlanta / Art
Pablo Picasso’s “Femme Dans Un Fauteuil,” Paris, 1947. Musée National Picasso-Paris. Jacqueline Picasso Acceptance in Lieu, 1990. On loan to Musée Picasso, Antibes © RMN-Grand Palais (Musée national Picasso-Paris) / Gérard Blot © Sucesión Pablo Picasso, VEGAP, Madrid, 2019.
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