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VERSION:2.0
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DTSTAMP:20260912T030027Z
UID:55d44a9f-79a9-4b08-994a-b1e05dab1e8e
DTSTART;VALUE=DATE:20260925
DTEND;VALUE=DATE:20260927
DESCRIPTION:Sep 25-27\, 2026\nBecause the box office benefits from story ba
 llets\, choreographers are perennially on the hunt for subjects worthy of 
 three acts. Lately they’ve favored famous dead artists whose lives took 
 a tragic turn. So: Virginia Woolf\, Frida Kahlo\, and now Christopher Whee
 ldon’s Oscar©\, for the Australian Ballet. When a Wilde character boast
 s\, “I never travel without my diary. One should always have something s
 ensational to read in the train\,” the brilliant playwright must have be
 en thinking of himself\, though “sensational” hardly does justice to h
 is terrible last years\, in prison for queer sexual predilections that he 
 forgot to be ashamed of. To an original score by the choreographer’s reg
 ular if unexceptional collaborator Joby Talbot\, Oscar© is the first full
 -length ballet that the former A.B.T. star David Hallberg has commissioned
  since assuming the helm of the Australian Ballet\, in 2021. Let’s hope 
 Wheeldon honors Wilde’s aestheticism by translating the dandy’s head-t
 urning aphorisms into steps. With live orchestra—uncommon for a touring 
 show.
LOCATION:Zellerbach Hall at UC Berkeley Campus\, 101 Zellerbach Hall\, Berk
 eley\, CA 94720\, United States
SUMMARY:Australian Ballet: Oscar©
URL;VALUE=TEXT:https://airmail.news/arts-intel/events/australian-ballet-osc
 ar-1
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